|
Song for the Rosegarden of Creation of Armenia |
|
Adam Balogh painter-photographer was born in Budapest in 1971.
He has been displaying his works in individual and joint exhibitions since 2000.
|
|
|
His receptive, open personality and exotic travels as well as the influence of Central and South America, Southeast Asia and the Middle East are reflected in his art.
|
|
|
Adam Balogh’s photos have been published in several travel books in Hungary and abroad as well.
Snapshots of a distant, strange yet familiar culture depict the experience of simple days and transmit the feeling 'as if we had been here.'
|
|
|
He builds connections and understanding among people living in different places, tells stories about the miracle of the moment.
About the thousand faces of our planet.
|
|
|
|
|
The universal paintings of a mystical world born by internal experience.
Spiritual works that are clear and perceptible for everybody.
|
|
|
 |
Empire |
Kep |
|
Instinctively and involuntarily, your imagination continues dreaming his paintings, which inspire you to the infinite, the eternal, beyond time and space.
Is this imagination or 'another' reality?
|
|
|
It takes us back to the origins: out to the stars or/and into ourselves?
Is this mystical world to be found in distant universes or rather very near, in ourselves, in the rich internal pictures of the subconscious?
|
|
|
Awakening of the Blue Child |
|
Adam Balogh’s paintings are markers of a road, you unite with time and space when you look into their depths.
You are united with freedom, curiosity.
|
|
The present. The moment. Mankind might not ever get a clear answer for the questions he asks in his images, but until then … |
|
‘Yesterday is but a dream, tomorrow is but a vision, all yesterdays are the dreams of happiness, all tomorrows are but a glimmer of hope, so take care of what you do with today.’
(Sanskrit)
|
|
His pieces were on display in galleries of Hungary as well as in Vienna, London and New York. They can be found in foreign and Hungarian private collections. |
|
|
|
Text Andrea Nemethy, Art Historian, Independent Curator |
