featured artist
ted knerr, new york |
|
|
| |
|
|
 |
|
Rumi, the ancient Persian poet, wrote,
"Do you think I know what I am doing? ... As much as a pen knows what it is writing".
|
| #3-1991, the balance of feeling, thought and spirit, acrylic/canvas, 80x96 in |
|
|
| |
|
|
 |
|
I try to let go of control and let my art find it's own way. |
| #6-1991, acrylic/canvas, 78x96 in |
|
|
| |
|
|
 |
|
Creativity comes through the window of ideas from outside conscious control. |
| #4-1993, acrylic/canvas, 80x64 in |
|
|
| |
|
|
 |
|
The experience amazes me by exceeding my plans and abilities. |
| #13-1995, zen light, acrylic/canvas, 66x42 in |
|
|
| |
|
|
 |
|
After 2001, white areas begin to open up the space and lighten the atmosphere. In this simplified space, objects begin to take on more individual shapes. |
| #9-1996, acrylic/canvas, 48 x 32 in |
|
|
| |
|
|
 |
|
They no longer press against one another like cells in a honeycomb. |
| #11-1996, acrylic/canvas 66 x 52 in |
|
|
| |
|
|
 |
|
They are clearly seen as separate from the background, as actors engaged in a drama. |
| #13-1996, acrylic/canvas, 12x11 in |
|
|
| |
|
|
 |
|
Now the whites begin to break up the outer rectangle of the picture plane so the outside white space flows through the image. |
| #1-1997, acrylic/canvas, 80 x 72 in |
|
|
| |
|
|
 |
|
The white becomes a large field for the image to operate in. |
| #1-2001, acrylic/canvas, 22 x 22 in |
|
|
| |
|
|
 |
|
I broke out of 'the box' and found a wider perspective. |
| #7-2001, acrylic/canvas, 20 x 26 in |
|
|
| |
|
|
 |
|
The viewer sees the painting as one world among many. |
| #1-2004, acrylic/canvas, 66 x 78 in |
|
|
| |
|
|
 |
|
Launched on a new voyage but without yet knowing the destination. |
| #1-2005, red rock desert, acrylic/canvas, 20 x 26 in |
|
|
| |
|
|
| to visit ted knerr's website click: |
|
|